Uberto pasolini movies
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Uberto PASOLINI
Italydirector
1 film
1 events
Biography
Uberto Pasolini is an Italian director, writer, and producer. Prior to his transition to filmmaking, Pasolini spent over a decade working as an investment banker. He gained significant recognition as the producer of the 1997 hit The Fully Monty. His directorial debut, Machan (2008), earned critical accolades, including the FEDIC Award and the Label Europa Cinemas Award for Best European Film at the Venice Film Festival. The Return is Pasolini’s fourth feature-length film.
Filmography
- The Return2024
- Nowhere Special2020
- Still Life2013
- Machan2008
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Uberto Pasolini about ‘Nowhere Special’: “It’s a true love story between James and Daniel”
- The Italian producer and director presents his third feature film at the 65th edition of Seminci
28/10/2020.- Uberto Pasolini has travelled to Valladolid to present his third feature film, Nowhere Special, in his unusual role as director. “I am a producer, I am not a true director,” said the businessman behind hits such as Full Monty in his appearance before the press.
But, from time to time, Pasolini is struck by a true story. That’s what happened with Machan (2008) and with Nunca Es Demasiado Tarde (2013), his two previous films. This time round, as he explained, he read in a newspaper the story of a father with no other family than his four-year-old son. The boy’s mother abandoned them when he was a two-month-old baby, and the father was going to leave his son too, but for a very different reason: he was terminally ill. So he dedicated his last months of life to look for an adoptive family for his little one.
“I
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It is not often that you come across a film that looks innocuous at its beginning and then develops gradually into a truly uplifting and amazing work of cinema.
Still Life is a tale ofa lower-rung British civil servant John May (his name could well have been John Doe in the US or Joe Bloggs in the UK ), unmarried and yet married to his job with a diligence that makes our own attitudes to work in offices (and homes) look a tad unprofessional in comparison. The name John May sounds as colorless as is the individual that the director and original screenplay writer Uberto Pasolini gets actor Eddie Marsan to play. The incredible character is a lonely chap working in a small office in UK all alone with files all neatly stacked just as neat and orderly is his small desk with a phone. And Marsan and Pasolini get around to develop such a colorless individual that some unsuspecting viewers of the movie assumed that the film would be as drab as the character and were seen walking out of the film halfway misled by its quiet beginning. And what a lovely film th
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